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Topic:
Paradoxes of Museum Intervention: The Laboratory Principle
Abstract:
In recent years, the “Laboratory” has gained increased popularity both in the humanities and social sciences as well as in the museum field. It stands for a devotion to the openness of knowledge production, to the notion of the experiment, and to reflexivity towards the architectures and apparatuses of knowledge. What is the specific potential of such laboratory spaces for the museum? How do they relate to the ways the larger institutions display art, culture, and science? What are the limitations in an institutional setting that is traditionally geared towards conservation, and therefore by definition somewhat at odds with the notion of the lab?
This session will begin with a presentation of some insights from the German context. In particular, the presentation will discuss the Humboldt Forum in Berlin, which is due to open in late 2019 and is currently also the largest and the most contested cultural project in the planning within Germany. The Forum has over time become a discursive knot for debates about colonial provenance of ‘non-European’ collections in European institutions, about city-planning and cultural place-making, as well as about the possibilities of alternative modes of museum representation.
This presentation will address two attempts to intervene in the established practice of displaying collections, which are both connected to the larger project: the Humboldt Lab Dahlem (2013-2015), which was an experimental test run for the Forum carried out to explore new ways of engaging with collections and to introduce new formats of display; and the Humboldt Laboratory, which will be the exhibition space of Berlin’s Humboldt University in the future Humboldt Forum.
Through a discussion of these examples, this session aspires to contribute to an exchange that may also be of relevance for the Singapore context; and that enables us to develop further on the question about how the “paradoxes of intervention” may be fruitfully engaging for future museum work. This session will conclude with an interactive discussion on how the notion of the “Laboratory” may be applied and/or relevant to the Singapore context.
Speaker:
Dr Friedrich von Bose
Curator
The Humboldt Forum, Humboldt University
About the
Speaker:
Dr Friedrich von Bose is curator of the Humboldt Laboratory, the exhibition space of Humboldt-Universität zu Berlin in the Humboldt Forum in the Berlin Palace. He is based at Humboldt University’s Hermann von Helmholtz Center for Cultural Techniques and the Cluster of Excellence “Image Knowledge Gestaltung.” In 2014, he obtained his PhD with an ethnographic study about the planning process of the Humboldt Forum, which is currently the largest and most contested cultural project in the planning in Germany. From 2009 to 2015, he was a lecturer and research associate at HU’s Department of European Ethnology and the Center for Transdisciplinary Gender Studies, following which he was assistant curator and member of the planning team of the City Museum of Stuttgart (2015-16) as well as Senior Consultant at a PR and communications agency in Basel/Switzerland specialized on urban development and infrastructure projects. Since 2016, he is a lecturer in Cultural Management at the Center for Advanced Studies at the University of Basel. He has co-curated exhibitions at several museums in Berlin and regularly serves as advisor for exhibition projects internationally. His current research interests concern histories and theories of the museum, exhibiting as a research practice, and new approaches to material culture.
About the SMU-Centre 42 Arts and Culture Matters (ACM) Series:
The Arts and Culture Matters Series is a platform for robust, lively and collegiate discussion of the issues and challenges related to the arts and cultural landscape. Each discussion will collectively convene members of the arts and creative community including artists, scholars, students, and policy-makers, to explore timely topics that will nurture and advance understanding on the arts and culture, especially in and from the context of Singapore. This series is organised by the Arts and Culture Management Program, in the School of Social Sciences at the Singapore Management University. For 2018, the series is produced in partnership with Centre 42, a non-profit theatre development space.
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